Gorkana catches up with the team at Red on merging the print and digital teams, their very vocal readers and why PRs are so important.
With a circulation of 220,000, Red is the UK's leading luxury lifestyle magazine with a continued focus on quality content that has attracted a loyal subscriber base and has a growing online audience to the award-winning redonline, which engages more than 450,000 unique visitors each month.
Saska Graville, deputy editor
Saska has been at Red for eight years. Before that she spent 10 years in Australia where roles included features editor on one of the Sunday nationals and editor of New Woman. Before that, she worked on various teen mags in the UK.
Pip McCormac, lifestyle director
Pip has been at Red for 18 months. Before that, he was at The Sunday Times Style for five years and was also at GRAZIA.
Laura Fantacci, fashion editor
Laura started her career at YOU magazine in the fashion cupboard and worked her way up. She has done stints and titles including VOGUE, InStyle and Happy Magazine. She joined Red six years ago.
Sarah Tomczak, features director
Sarah was previously assistant editor and fashion director at the Daily Mail’s Life & Style supplement, before joining Red in August last year.
The Red brand
Saska said PRs need to be thinking about the Red platform as a whole, not just the magazine. She said 2014 would be a big year for Red as the print and digital teams merge.
There are also plans to expand Red's networking events. There are eight Red Network events taking place this year. Saska wants to hear from PRs on ideas for future events.
PRs need to think about the Red universe and how their client/brand would fit the platform as a whole. There are opportunities with events, in the magazine and online.
The team all agreed that PRs are very important in helping them do their jobs.
The magazine and its readers
As a whole, content is an even mix, although there are certain specials that go out throughout the year. There are living specials in May and December, and fashion specials in March and April and September and October.
The typical Red reader is a professional woman in her 30s and 40s, in a relationship, probably has youngish children and has a disposable income. She’s smart, intelligent, career and family orientated, who wants to find out about products that are luxurious and informative. Red readers are very vocal and the team gets lots of balanced feedback on every issue published.
The tone of the magazine has changed slightly over the years, becoming more urban and sophisticated.
Deadlines
The team works around three months in advance. Sarah is starting to work out ideas for the June issue. Laura will have Christmas content worked out in July. Pitching Christmas ideas after July is too late.
While the team would like to meet up with PRs more often, there is no longer as much time to get out of the office and desk visits are not convenient. Locations for press day events are key for attracting members of the team (sometimes the team goes to 35 press days in one day). If a press event is half way down the King’s Road, Pip simply won’t go. If it’s within walking distance of the office, there’s a much bigger chance.
PRs should tailor their pitches as much as possible. If one of the team gets a suggestion about where it can fit in the magazine or on the web site, there’s a better chance of a response. The team is happy to be pitched to via Twitter.
Fashion
Laura has around 13 to 16 pages to fill in an average issue.
Products fly off the shelves when they are featured in Red. At one point, the team had an M&S code for a dress on sale, which ended up having to be offered as a waiting list because so many readers wanted to buy it.
Laura is keen not to make the Red reader feel alienated by the products she write about, so it’s important to cover everything from cheaper to more expensive. Before covering something which is more expensive side, she will ask how much readers would be willing to invest in something that is going to have a long life in the wardrobe.
There are four fashion specials each year (March/April and September/October) which focus on what the trends are going to be for the new season. The March issue tends to be more fashion, while the April will focus on accessories. The specials are all about telling readers what they should be buying.
Fashion product imagery is done in-house to fit with the Red mantra.
Laura has recently created an Instagram account, which is growing and includes competitions. It’s being used to promote the brand and engage with the reader to give a behind the scenes look at Red.
Relationships with PRs are very important for Laura. She tends to contact PRs in the first place, tell them about the story she’s working on and ask if they have relevant products. She also works from look books and will pick what she wants called in. She doesn’t like to be sent dozens of samples that are irrelevant to what she’s working on.
Lifestyle
Pip looks after all interiors and food for the magazine and online. He has around 20 pages to fill each month. The team has an unofficial strap line for the magazine: the sun always shines in Red, which means Pip is always looking for something that has a bit of sparkle and will excite readers. Products don’t necessarily need to be expensive but they do have to be easy to apply.
He’s happy to receive images from PRs as long as they fit with the magazine. Pip likes to receive images via email and he reads every one that that comes through. He’s not keen on being contacted by phone.
A product that feels modern and is easy to be applied to someone’s life will always prove a winner. Red is not a specialist magazine that looks into the nuts and bolts of changing rooms.
Features
Sarah wants a balance of features in Red; features that are newsy and relevant as well as snippets that will offer something new and surprising for readers. Research-based stories also have the opportunity to make it online, when they might not fit into the magazine. Surveys need to have a minimum of 2,000 respondents.
The perfect feature?
Sarah has around 35 pages to fill every month.
Because content is such a mix, there is no one perfect Red feature. Some will feel instantly relevant to the reader and others will be more "out there" and thought provoking. There is also a large mix of first-person memoirs, which is something Sarah thinks shapes the voice and tone of the magazine. She’s always looking for people who can be very honest and real, as well as relatable.
There are also trend pieces, for example, a recent one on why the Women’s Institute is cool again, and more whimsical features, on topics like Soul Cycling, a new spinning class that claims to cleanse the soul.
Sarah likes to be pitched to via email. If she likes what she reads, she will call or email back quite quickly, even if it’s to say she will pick it up the following week.
Online
Magazine content is not replicated on the web site. The team believes reading an actual magazine appeals to the Red reader. There are many online pieces that will complement magazine content, as well as standalone stories on redonline.
PRs should make their clients aware of the reach that online now gives a story. While many brands still believe a story about them is better in print, an online story can be seen by 50,000 people instantly when tweeted out.
Food is one of the most popular channels for redonline. The number one search term is chicken dinners. A lot of recipes are included and there are opportunities for PRs to get involved.
Celebrities
Celebrities that resonate with Red readers are women that they can relate to in some way, not just an anonymous Hollywood name. They need to have a story and "an air of intelligence". Readers want to see someone on the cover they want to be – taking on Red’s mantra: 'by women like you, for women like you'.
Travel
Saska looks after Red’s travel pages. The best way to send over travel ideas is through travel@redmagazine.co.uk.
Health and fitness
Health director Bridget Moss looks after the magazine’s Self section, which is one of the most popular parts of Red. There are plans to increase the fitness section in the coming months.
Books
Books are reviewed by literary editor Viv Groskop on Red’s Scene pages. The pages are edited by features writer Marisa Bate, who is the conduit to Viv. The team is always looking for new writers to feature in the magazine. While Red doesn’t run book excerpts, authors can write a piece for the magazine.
The team is also working with the Bath Literature Festival this year, with Red putting on various events.
Charities
Red is happy to hear from charities and has worked in partnership with many of them. However, there is a fine line the team does not want to cross where people read Red and feel guilty. Case studies can often work well in this instance.
Kids
Red does not really feature children’s products as readers see the magazine as a break from their daily life. However there is a channel for this on redonline. There is also a new blog, Inspired Kids by stylist Ashlyn Gibson, on the site, which is her own personal take on kid’s-related stories. PRs can get in contact via Sarah.